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                <text>'Lostwithiel 800' Sign, 1989</text>
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                <text>A sign marking 'Lostwithiel 800', the commemoration of the 800th anniversary of the town's founding.</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="180342">
                <text>Jonathan Barker</text>
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                <text>Lostwithiel</text>
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                <text>'Mondes Nouveau' International Organisation. Lostwithiel Guildhall,1986</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>A group of children from the Monde Nouveau international organisation at Lostwithiel Guildhall.</text>
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            <name>Date</name>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="177306">
                <text>Jonathan Barker</text>
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                <text>Lostwithiel</text>
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                  <text>&lt;p&gt;&lt;img style="float: right; margin-left: 10px;" src="/cm-images/wheal-martyn-logo.png" alt="Wheal Martyn Museum" /&gt;Wheal Martyn is Britain&amp;rsquo;s only china clay museum. It has a large and important collection of photographs and film documenting over 130 years of the china clay industry in mid-Cornwall.&lt;/p&gt;&#13;
&lt;p&gt;The collection shows the evolution of china clay extraction over the twentieth century, with images of horses, water-wheels, beam engines, and locomotives. More recent photographs show how mechanised extraction has altered the landscape of the area. Community life in the &amp;lsquo;Clay Country&amp;rsquo; is also shown through images of the Bugle Band Contest, pantomimes, pensioners&amp;rsquo; dinners, sports events and the impact of the World Wars.&lt;/p&gt;&#13;
&lt;p&gt;The Wheal Martyn China Clay Museum occupies a 26 acre site which includes the Victorian remains of two former china clay works, just two miles from St. Austell in the heart of the Clay Country.&amp;nbsp; The site incorporates a visitor attraction, Accredited Museum, Scheduled Ancient Monument, woodland walks and spectacular views into the Wheal Martyn clay pit, which still operates today.&lt;/p&gt;&#13;
&lt;p&gt;Wheal Martyn is open daily from 29th March to 30th October between 10am and 5pm and from 31st October to 23rd December between 10am &amp;ndash; 4pm.&lt;/p&gt;&#13;
&lt;p&gt;To find out more visit the &lt;a href="http://www.wheal-martyn.com"&gt;Wheal Martyn&lt;/a&gt; website.&lt;/p&gt;</text>
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            <name>Identifier</name>
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                <text>"Stenalees Band Contest July 10th (near St. Austell)</text>
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                <text>A general view of the scene in the china clay country. Lostwithiel Band are on the platform". Band on stand in field, with seats empty but people standing displaying an impressive array of hats. Sky tips in background. Spectators' clothes suggest late 1950s.</text>
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                <text>SAUWM : P2007.86</text>
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                  <text>Mac Waters has amassed thousands of postcards and images, spanning over 150 years and covering the length and breadth of Cornwall. &#13;
&#13;
Mac is a Cornishman who is imbued with ceaseless enthusiasm and energy for all things Cornish and the preservation of Cornish heritage. Born in St Blazey Gate, as a young boy he remembers helping the Endeen and Matthews families seine fishing in St Austell Bay.  He joined the Merchant Navy and by the time he was 21 he had sailed around the world! He later worked for English China Clay at Parkandillick for 34 years. &#13;
&#13;
Mac has been gathering his collection for over 30 years.  It features Cornish village and town scenes, churches, landmarks and the Isles of Scilly.  It also illustrates aspects of social history and Cornish industry, including shipping, shipwrecks, and lifeboats.  Some of the images are extremely rare.  Of particular interest are the photographs of the same place, taken from the same angle, through the ages.&#13;
&#13;
Mac speaks regularly to Cornish community gatherings using his postcards and images as a talking point.  His collection is a unique record of Cornwall’s social history through the last 150 years.&#13;
&#13;
Mac is a Bard of the Cornish Gorsedh, his bardic name is “Cunteller an Brewyon” “Gatherer of the Fragments”. </text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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            <name>Identifier</name>
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                <text>WAT_24_359</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>13th August 1956. Lostwithiel train leaving Fowey</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1956</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="52534">
                <text>Artists Estate</text>
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            </elementTextContainer>
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            <name>Coverage</name>
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                <text>Fowey</text>
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            <description>The nature or genre of the resource</description>
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                <text>Still Image</text>
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        <src>https://www.cornishmemory.com/files/original/George_Ellis/ELL_H_138/ELL_H_138ed.jpg</src>
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          <name>Dublin Core</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>George Ellis Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The George Ellis Collection is an outstanding record of community life in Cornwall during the second half of the twentieth century. George Ellis moved to Cornwall from London during the Second World War. A professional press photographer, George documented news stories and community events from the mid 1940s until the 1970s. The collection focuses primarily on mid-Cornwall but also includes images from right across the Duchy. Subject matter includes hotels, farms, agricultural shows, quarries, family gatherings, weddings, Christenings, Padstow’s ‘Obby ‘Oss, the Second World War and carnivals. The George Ellis Collection was given to the Cornish Studies Library upon George’s retirement in the 1980s. In total, the collection contains over 100,000 glass plate negatives. Many of these can be viewed by browsing the images available through the statutory archive &lt;a href="https://kresenkernow.org/"&gt;kresenkernow.org/&lt;/a&gt;. Enquiries regarding viewing the images or acquiring copies can be made to Kresen Kernow via telephone: 01209 614430 or email: kresenkernow@cornwall.gov.uk &lt;a href="kresenkernow@cornwall.gov.uk" target="_blank" rel="noopener"&gt;&lt;/a&gt;.</text>
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      <name>Still Image</name>
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            <name>Identifier</name>
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                <text>ELL_H_138</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>19 North Street</text>
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            <name>Date</name>
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                <text>1946-11-09</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="260729">
                <text>Cornwall Council</text>
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            <name>Creator</name>
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                <text>George Ellis</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Lostwithiel</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Still Image</text>
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                  <text>Mac Waters has amassed thousands of postcards and images, spanning over 150 years and covering the length and breadth of Cornwall. &#13;
&#13;
Mac is a Cornishman who is imbued with ceaseless enthusiasm and energy for all things Cornish and the preservation of Cornish heritage. Born in St Blazey Gate, as a young boy he remembers helping the Endeen and Matthews families seine fishing in St Austell Bay.  He joined the Merchant Navy and by the time he was 21 he had sailed around the world! He later worked for English China Clay at Parkandillick for 34 years. &#13;
&#13;
Mac has been gathering his collection for over 30 years.  It features Cornish village and town scenes, churches, landmarks and the Isles of Scilly.  It also illustrates aspects of social history and Cornish industry, including shipping, shipwrecks, and lifeboats.  Some of the images are extremely rare.  Of particular interest are the photographs of the same place, taken from the same angle, through the ages.&#13;
&#13;
Mac speaks regularly to Cornish community gatherings using his postcards and images as a talking point.  His collection is a unique record of Cornwall’s social history through the last 150 years.&#13;
&#13;
Mac is a Bard of the Cornish Gorsedh, his bardic name is “Cunteller an Brewyon” “Gatherer of the Fragments”. </text>
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            <name>Identifier</name>
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            <description>Information about rights held in and over the resource</description>
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            <name>Identifier</name>
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                <text>Bagpipers, Lostwithiel, 1989</text>
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                <text>Bagpipers during Comic Relief Red Nose Day in Fore Street, Lostwithiel. L - R Jude Martelli, Peter Martelli, John Webb, Frances Webb.</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Jonathan Barker</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Lostwithiel</text>
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            <description>The nature or genre of the resource</description>
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                <text>Still Image</text>
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